Eventually I will update this further, but the point of this blog is to be a hub to discuss the current state of affairs that pertains to our world, our technology, and our comprehension of the space around our tiny planet. I will post my opinions at random (as does any blogger) and hopefully I'll start to spread interest in science!
Monday, August 6, 2012
A Story of the Future (Part 2)
—And He Built a Crooked House
by Robert A. Heinlein
Things are done fast in southern California. Ordinary houses there are usually built in a month's time. Under Teal's impassioned heckling the tesseract house climbed dizzily skyward in days rather than weeks, and its cross-shaped second story came jutting out at the four corners of the world. He had some trouble at first with the inspectors over these four projecting rooms but by using strong girders and folding money he had been able to convince them of the soundness of this engineering.
By arrangement, Teal drove up in front of the Bailey residence the morning after their return to town. He improvised on his two-tone horn. Bailey stuck his head out the front door. "Why don't you use the bell?"
"Too slow," answered Teal cheerfully. "I'm a man of action. Is Mrs. Bailey ready? Ah, there you are, Mrs. Bailey! Welcome home, welcome home. Jump in, we've got a surprise for you!"
"You know Teal, my dear," Bailey put in uncomfortably.
Mrs. Bailey sniffed. "I know him. We'll go in our own car, Homer."
"Certainly, my dear."
"Good idea," Teal agreed; " 'sgot more power than mine; we'll get there faster. I'll drive, I know the way." He took the keys from Bailey, slid into the driver's seat, and had the engine started before Mrs. Bailey could rally her forces.
"Never have to worry about my driving," he assured Mrs. Bailey, turning his head as he did so, while he shot the powerful car down the avenue and swung onto Sunset Boulevard, "it's a matter of power and control, a dynamic process, just my meat—I've never had a serious accident."
"You won't have but one," she said bitingly. "Will you please keep your eyes on the traffic?"
He attempted to explain to her that a traffic situation was a matter, not of eyesight, but intuitive integration of courses, speeds, and probabilities, but Bailey cut him short. "Where is the house, Quintus?"
"House?" asked Mrs. Bailey suspiciously. "What's this about a house, Homer? Have you been up to something without telling me?"
Teal cut in with his best diplomatic manner. "It certainly is a house, Mrs. Bailey. And what a house! It's a surprise for you from a devoted husband. Just wait till you see it—"
"I shall," she agreed grimly. "What style is it?"
"This house sets a new style. It's later than television, newer than next week. It must be seen to be appreciated. By the way," he went on rapidly, heading off any retort, "did you folks feel the earthquake last night?"
"Earthquake? What earthquake? Homer, was there an earthquake?"
"Just a little one," Teal continued, "about two A.M.If I hadn't been awake, I wouldn't have noticed it."
Mrs. Bailey shuddered. "Oh, this awful country! Do you hear that, Homer? We might have been killed in our beds and never have known it. Why did I ever let you persuade me to leave Iowa?"
"But my dear," he protested hopelessly, "you wanted to come out to California; you didn't like Des Moines."
"We needn't go into that," she said firmly. "You are a man; you should anticipate such things. Earthquakes!"
"That's one thing you needn't fear in your new home, Mrs. Bailey," Teal told her. "It's absolutely earthquake-proof; every part is in perfect dynamic balance with every other part."
"Well, I hope so. Where is this house?"
"Just around this bend. There's the sign now." A large arrow sign, of the sort favored by real estate promoters, proclaimed in letters that were large and bright even for southern California:
· · · · ·
THE HOUSE OF THE FUTURE!!!
COLOSSAL—AMAZING—REVOLUTIONARY
SEE HOW YOUR GRANDCHILDREN WILL LIVE!
Q. TEAL, ARCHITECT
· · · · ·
"Of course that will be taken down," he added hastily, noting her expression, "as soon as you take possession." He slued around the corner and brought the car to a squealing halt in front of the House of the Future. "VoilĂ !" He watched their faces for response.
Bailey stared unbelievingly, Mrs. Bailey in open dislike. They saw a simple cubical mass, possessing doors and windows, but no other architectural features, save that it was decorated in intricate mathematical designs. "Teal," Bailey asked slowly, "what have you been up to?"
Teal turned from their faces to the house. Gone was the crazy tower with its jutting second-story rooms. No trace remained of the seven rooms above ground floor level. Nothing remained but the single room that rested on the foundations. "Great jumping cats!" he yelled, "I've been robbed!"
He broke into a run.
But it did him no good. Front or back, the story was the same: the other seven rooms had disappeared, vanished completely. Bailey caught up with him, and took his arm. "Explain yourself. What is this about being robbed? How come you built anything like this—it's not according to agreement."
"But I didn't. I built just what we had planned to build, an eight-room house in the form of a developed tesseract. I've been sabotaged; that's what it is! Jealousy! The other architects in town didn't dare let me finish this job; they knew they'd be washed up if I did."
"When were you last here?"
"Yesterday afternoon."
"Everything all right then?"
"Yes. The gardeners were just finishing up."
Bailey glanced around at the faultlessly manicured landscaping. "I don't see how seven rooms could have been dismantled and carted away from here in a single night without wrecking this garden."
Teal looked around, too. "It doesn't look it. I don't understand it."
Mrs. Bailey joined them. "Well? Well? Am I to be left to amuse myself? We might as well look it over as long as we are here, though I'm warning you, Homer, I'm not going to like it."
"We might as well," agreed Teal, and drew a key from his pocket with which he let them in the front door. "We may pick up some clues."
The entrance hall was in perfect order, the sliding screens that separated it from the garage space were back, permitting them to see the entire compartment. "This looks all right," observed Bailey. "Let's go up on the roof and try to figure out what happened. Where's the staircase? Have they stolen that, too?"
"Oh, no," Teal denied, "look—" He pressed a button below the light switch; a panel in the ceiling fell away and a light, graceful flight of stairs swung noiselessly down. Its strength members were the frosty silver of duralumin, its tread and risers transparent plastic. Teal wriggled like a boy who has successfully performed a card trick, while Mrs. Bailey thawed perceptibly.
It was beautiful.
"Pretty slick," Bailey admitted. "Howsomever it doesn't seem to go any place—"
"Oh, that—" Teal followed his gaze. "The cover lifts up as you approach the top. Open stair wells are anachronisms. Come on." As predicted, the lid of the staircase got out of their way as they climbed the flight and permitted them to debouch at the top, but not, as they had expected, on the roof of the single room. They found themselves standing in the middle one of the five rooms which constituted the second floor of the original structure.
For the first time on record Teal had nothing to say. Bailey echoed him, chewing on his cigar. Everything was in perfect order. Before them, through an open doorway and translucent partition lay the kitchen, a chef's dream of up-to-the-minute domestic engineering, monel metal, continuous counter space, concealed lighting, functional arrangement. On the left the formal, yet gracious and hospitable dining room awaited guests, its furniture in parade-ground alignment.
Teal knew before he turned his head that the drawing room and lounge would be found in equally substantial and impossible existence.
"Well, I must admit this is charming," Mrs. Bailey approved, "and the kitchen is just too quaint for words—though I would never have guessed from the exterior that this house had so much room upstairs. Of course some changes will have to be made. That secretary now—if we moved it overhere and put the settle over there—"
"Stow it, Matilda," Bailey cut in brusquely. "Wha'd'yuh make of it, Teal?"
"Why, Homer Bailey! The very id—"
"Stow it, I said. Well, Teal?"
The architect shuffled his rambling body. "I'm afraid to say. Let's go on up."
"How?"
"Like this." He touched another button; a mate, in deeper colors, to the fairy bridge that had let them up from below offered them access to the next floor. They climbed it, Mrs. Bailey expostulating in the rear, and found themselves in the master bedroom. Its shades were drawn, as had been those on the level below, but the mellow lighting came on automatically. Teal at once activated the switch which controlled still another flight of stairs, and they hurried up into the top floor study.
"Look, Teal," suggested Bailey when he had caught his breath, "can we get to the roof above this room? Then we could look around."
"Sure, it's an observatory platform." They climbed a fourth flight of stairs, but when the cover at the top lifted to let them reach the level above, they found themselves, not on the roof, but standing in the ground floor room where they had entered the house.
Mr. Bailey turned a sickly gray. "Angels in heaven," he cried, "this place is haunted. We're getting out of here." Grabbing his wife he threw open the front door and plunged out.
Teal was too much preoccupied to bother with their departure. There was an answer to all this, an answer that he did not believe. But he was forced to break off considering it because of hoarse shouts from somewhere above him. He lowered the staircase and rushed upstairs. Bailey was in the central room leaning over Mrs. Bailey, who had fainted. Teal took in the situation, went to the bar built into the lounge, and poured three fingers of brandy, which he returned with and handed to Bailey. "Here—this'll fix her up."
Bailey drank it.
"That was for Mrs. Bailey," said Teal.
"Don't quibble," snapped Bailey. "Get her another." Teal took the precaution of taking one himself before returning with a dose earmarked for his client's wife. He found her just opening her eyes.
"Here, Mrs. Bailey," he soothed, "this will make you feel better."
"I never touch spirits," she protested, and gulped it.
"Now tell me what happened," suggested Teal. "I thought you two had left."
"But we did—we walked out the front door and found ourselves up here, in the lounge."
"The hell you say! Hm-m-m—wait a minute." Teal went into the lounge. There he found that the big view window at the end of the room was open. He peered cautiously through it. He stared, not out at the California countryside, but into the ground floor room—or a reasonable facsimile thereof. He said nothing, but went back to the stair well which he had left open and looked down it. The ground floor room was still in place. Somehow, it managed to be in two different places at once, on different levels.
He came back into the central room and seated himself opposite Bailey in a deep, low chair, and sighted him past his upthrust bony knees. "Homer," he said impressively, "do you know what has happened?"
"No, I don't—but if I don't find out pretty soon, something is going to happen and pretty drastic, too!"
"Homer, this is a vindication of my theories. This house is a real tesseract."
"What's he talking about, Homer?"
"Wait, Matilda—now Teal, that's ridiculous. You've pulled some hanky-panky here and I won't have it—scaring Mrs. Bailey half to death, and making me nervous. All I want is to get out of here, with no more of your trapdoors and silly practical jokes."
"Speak for yourself, Homer," Mrs. Bailey interrupted, "I was not frightened; I was just took all over queer for a moment. It's my heart; all of my people are delicate and high-strung. Now about this tessy thing—explain yourself, Mr. Teal. Speak up."
He told her as well as he could in the face of numerous interruptions the theory back of the house. "Now as I see it, Mrs. Bailey," he concluded, "this house, while perfectly stable in three dimensions, was not stable in four dimensions. I had built a house in the shape of an unfolded tesseract; something happened to it, some jar or side thrust, and it collapsed into its normal shape—it folded up." He snapped his fingers suddenly. "I've got it! The earthquake!"
"Earthquake?"
"Yes, yes, the little shake we had last night. From a four-dimensional standpoint this house was like a plane balanced on edge. One little push and it fell over, collapsed along its natural joints into a stable four-dimensional figure."
"I thought you boasted about how safe this house was."
"It is safe—three-dimensionally."
"I don't call a house safe," commented Bailey edgily, "that collapses on the first little temblor."
"But look around you, man!" Teal protested. "Nothing has been disturbed, not a piece of glassware cracked. Rotations through a fourth dimension can't affect a three-dimensional figure any more than you can shake letters off a printed page. If you had been sleeping in here last night, you would never have awakened."
"That's just what I'm afraid of. Incidentally, has your great genius figured out any way for us to get out of this booby trap?"
"Huh? Oh, yes, you and Mrs. Bailey started to leave and landed back up here, didn't you? But I'm sure there is no real difficulty—we came in, we can go out. I'll try it." He was up and hurrying downstairs before he had finished talking. He flung open the front door, stepped through, and found himself staring at his companions, down the length of the second floor lounge. "Well, there does seem to be some slight problem," he admitted blandly. "A mere technicality, though—we can always go out a window." He jerked aside the long drapes that covered the deep French windows set in one side wall of the lounge. He stopped suddenly.
"Hm-m-m," he said, "this is very interesting—very."
"What is it?" asked Bailey, joining him.
"This." The window stared directly into the dining room, instead of looking outdoors. Bailey stepped back to the corner where the lounge and the dining room joined the central room at ninety degrees.
"But that can't be," he protested, "that window is maybe fifteen, twenty feet from the dining room."
"Not in a tesseract," corrected Teal. "Watch." He opened the window and stepped through, talking back over his shoulder as he did so.
From the point of view of the Baileys he simply disappeared.
But not from his own viewpoint. It took him some seconds to catch his breath. Then he cautiously disentangled himself from the rosebush to which he had become almost irrevocably wedded, making a mental note the while never again to order landscaping which involved plants with thorns, and looked around him.
He was outside the house. The massive bulk of the ground floor room thrust up beside him. Apparently he had fallen off the roof.
He dashed around the corner of the house, flung open the front door and hurried up the stairs. "Homer!" he called out, "Mrs. Bailey! I've found a way out!"
Bailey looked annoyed rather than pleased to see him. "What happened to you?"
"I fell out. I've been outside the house. You can do it just as easily—just step through those French windows. Mind the rosebush, though—we may have to build another stairway."
"How did you get back in?"
"Through the front door."
"Then we shall leave the same way. Come, my dear." Bailey set his hat firmly on his head and marched down the stairs, his wife on his arm.
Teal met them in the lounge. "I could have told you that wouldn't work," he announced. "Now here's what we have to do: As I see it, in a four-dimensional figure a three-dimensional man has two choices every time he crosses a line of juncture, like a wall or a threshold. Ordinarily he will make a ninety-degree turn through the fourth dimension, only he doesn't feel it with his three dimensions. Look." He stepped through the very window that he had fallen out of a moment before. Stepped through and arrived in the dining room, where he stood, still talking.
"I watched where I was going and arrived where I intended to." He stepped back into the lounge. "The time before I didn't watch and I moved on through normal space and fell out of the house. It must be a matter of subconscious orientation."
"I'd hate to depend on subconscious orientation when I step out for the morning paper."
"You won't have to; it'll become automatic. Now to get out of the house this time—Mrs. Bailey, if you will stand here with your back to the window, and jump backward, I'm pretty sure you will land in the garden."
Mrs. Bailey's face expressed her opinion of Teal and his ideas. "Homer Bailey," she said shrilly, "are you going to stand there and let him suggest such—"
"But Mrs. Bailey," Teal attempted to explain, "we can tie a rope on you and lower you down eas—"
"Forget it, Teal," Bailey cut him off brusquely. "We'll have to find a better way than that. Neither Mrs. Bailey nor I are fitted for jumping."
Teal was temporarily nonplussed; there ensued a short silence. Bailey broke it with, "Did you hear that, Teal?"
"Hear what?"
"Someone talking off in the distance. D'you s'pose there could be someone else in the house, playing tricks on us, maybe?"
"Oh, not a chance. I've got the only key."
"But I'm sure of it," Mrs. Bailey confirmed. "I've heard them ever since we came in. Voices. Homer, I can't stand much more of this. Do something."
"Now, now, Mrs. Bailey," Teal soothed, "don't get upset. There can't be anyone else in the house, but I'll explore and make sure. Homer, you stay here with Mrs. Bailey and keep an eye on the rooms on this floor." He passed from the lounge into the ground floor room and from there to the kitchen and on into the bedroom. This led him back to the lounge by a straight-line route, that is to say, by going straight ahead on the entire trip he returned to the place from which he started.
"Nobody around," he reported. "I opened all of the doors and windows as I went—all except this one." He stepped to the window opposite the one through which he had recently fallen and thrust back the drapes.
He saw a man with his back toward him, four rooms away. Teal snatched open the French window and dived through it, shouting, "There he goes now! Stop thief!"
The figure evidently heard him; it fled precipitately. Teal pursued, his gangling limbs stirred to unanimous activity, through drawing room, kitchen, dining room, lounge—room after room, yet in spite of Teal's best efforts he could not seem to cut down the four-room lead that the interloper had started with.
He saw the pursued jump awkwardly but actively over the low sill of a French window and in so doing knock off the hat. When he came up to the point where his quarry had lost his headgear, he stopped and picked it up, glad of an excuse to stop and catch his breath. He was back in the lounge.
"I guess he got away from me," he admitted. "Anyhow, here's his hat. Maybe we can identify him."
Bailey took the hat, looked at it, then snorted, and slapped it on Teal's head. It fitted perfectly. Teal look puzzled, took the hat off, and examined it. On the sweat band were the initials "Q.T." It was his own.
Slowly comprehension filtered through Teal's features. He went back to the French window and gazed down the series of rooms through which he had pursued the mysterious stranger. They saw him wave his arms semaphore fashion. "What are you doing?" asked Bailey.
"Come see." The two joined him and followed his stare with their own. Four rooms away they saw the backs of three figures, two male and one female. The taller, thinner of the men was waving his arms in a silly fashion.
Mrs. Bailey screamed and fainted again.
[End Part 2]
A Story of the Future (Part 3)
—And He Built a Crooked House
by Robert A. Heinlein
Some minutes later, when Mrs. Bailey had been resuscitated and somewhat composed, Bailey and Teal took stock. "Teal," said Bailey, "I won't waste any time blaming you; recriminations are useless and I'm sure you didn't plan for this to happen, but I suppose you realize we are in a pretty serious predicament. How are we going to get out of here? It looks now as if we would stay until we starve; every room leads into another room."
"Oh, it's not that bad. I got out once, you know."
"Yes, but you can't repeat it—you tried."
"Anyhow we haven't tried all the rooms. There's still the study."
"Oh, yes, the study. We went through there when we first came in, and didn't stop. Is it your idea that we might get out through its windows?"
"Don't get your hopes up. Mathematically, it ought to look into the four side rooms on this floor. Still we never opened the blinds; maybe we ought to look."
" 'Twon't do any harm anyhow. Dear, I think you had best just stay here and rest—"
"Be left alone in this horrible place? I should say not!" Mrs. Bailey was up off the couch where she had been recuperating even as she spoke.
They went upstairs. "This is the inside room, isn't it, Teal?" Bailey inquired as they passed through the master bedroom and climbed on up toward the study. "I mean it was the little cube in your diagram that was in the middle of the big cube, and completely surrounded."
"That's right," agreed Teal. "Well, let's have a look. I figure this window ought to give into the kitchen." He grasped the cords of Venetian blinds and pulled them.
It did not. Waves of vertigo shook them. Involuntarily they fell to the floor and grasped helplessly at the pattern on the rug to keep from falling. "Close it! Close it!" moaned Bailey.
Mastering in part a primitive atavistic fear, Teal worked his way back to the window and managed to release the screen. The window had lookeddown instead of out, down from a terrifying height.
Mrs. Bailey had fainted again.
Teal went back after more brandy while Bailey chafed her wrists. When she had recovered, Teal went cautiously to the window and raised the screen a crack. Bracing his knees, he studied the scene. He turned to Bailey. "Come look at this, Homer. See if you recognize it."
"You stay away from there, Homer Bailey!"
"Now, Matilda, I'll be careful." Bailey joined him and peered out.
"See up there? That's the Chrysler Building, sure as shooting. And there's the East River, and Brooklyn." They gazed straight down the sheer face of an enormously tall building. More than a thousand feet away a toy city, very much alive, was spread out before them. "As near as I can figure it out, we are looking down the side of the Empire State Building from a point just above its tower."
"I don't think so—it's too perfect. I think space is folded over through the fourth dimension here and we are looking past the fold."
"You mean we aren't really seeing it?"
"No, we're seeing it all right. I don't know what would happen if we climbed out this window, but I for one don't want to try. But what a view! Oh, boy, what a view! Let's try the other windows."
They approached the next window more cautiously, and it was well that they did, for it was even more disconcerting, more reason-shaking, than the one looking down the gasping height of the skyscraper. It was a simple seascape, open ocean and blue sky—but the ocean was where the sky should have been, and contrariwise. This time they were somewhat braced for it, but they both felt seasickness about to overcome them at the sight of waves rolling overhead; they lowered the blind quickly without giving Mrs. Bailey a chance to be disturbed by it.
Teal looked at the third window. "Game to try it, Homer?"
"Hrrumph—well, we won't be satisfied if we don't. Take it easy." Teal lifted the blind a few inches. He saw nothing, and raised it a little more—still nothing. Slowly he raised it until the window was fully exposed. They gazed out at—nothing.
Nothing, nothing at all. What color is nothing? Don't be silly! What shape is it? Shape is an attribute of something. It had neither depth nor form. It had not even blackness. It was nothing.
Bailey chewed at his cigar. "Teal, what do you make of that?"
Teal's insouciance was shaken for the first time. "I don't know, Homer, I don't rightly know—but I think that window ought to be walled up." He stared at the lowered blind for a moment. "I think maybe we looked at a place where space isn't.We looked around a fourth-dimensional corner and there wasn't anything there." He rubbed his eyes. "I've got a headache."
They waited for a while before tackling the fourth window. Like an unopened letter, it might not contain bad news. The doubt left hope. Finally the suspense stretched too thin and Bailey pulled the cord himself, in the face of his wife's protests.
It was not so bad. A landscape stretched away from them, right side up, and on such a level that the study appeared to be a ground floor room. But it was distinctly unfriendly.
A hot, hot sun beat down from lemon-colored sky. The flat ground seemed burned a sterile, bleached brown and incapable of supporting life. Life there was, strange stunted trees that lifted knotted, twisted arms to the sky. Little clumps of spiky leaves grew on the outer extremities of these misshapen growths.
"Heavenly day," breathed Bailey. "Where is that?"
Teal shook his head, his eyes troubled. "It beats me."
"It doesn't look like anything on Earth. It looks more like another planet—Mars, maybe."
"I wouldn't know. But, do you know, Homer, it might be worse than that, worse than another planet, I mean."
"Huh? What's that you say?"
"It might be clear out of space entirely. I'm not sure that that is our sun at all. It seems too bright."
Mrs. Bailey had somewhat timidly joined them and now gazed out at the outrĂ© scene. "Homer," she said in a subdued voice, "those hideous trees—they frighten me."
He patted her hand.
Teal fumbled with the window catch.
"What are you doing?" Bailey demanded.
"I thought if I stuck my head out the window I might be able to look around and tell a bit more."
"Well—all right," Bailey grudged, "but be careful."
"I will." He opened the window a crack and sniffed. "The air is all right, at least." He threw it open wide.
His attention was diverted before he could carry out his plan. An uneasy tremor, like the first intimation of nausea, shivered the entire building for a long second, and was gone.
"Earthquake!" They all said at once. Mrs. Bailey flung her arms around her husband's neck.
Teal gulped and recovered himself, saying:
"It's all right, Mrs. Bailey. This house is perfectly safe. You know you can expect settling tremors after a shock like last night." He had just settled his features into an expression of reassurance when the second shock came. This one was no mild shimmy but the real seasick roll.
In every Californian, native born or grafted, there is a deep-rooted primitive reflex. An earthquake fills him with soul-shaking claustrophobia which impels him blindly to get outdoors! Model Boy Scouts will push aged grandmothers aside to obey it. It is a matter of record that Teal and Bailey landed on top of Mrs. Bailey. Therefore, she must have jumped through the window first. The order of precedence cannot be attributed to chivalry; it must be assumed that she was in readier position to spring.
They pulled themselves together, collected their wits a little, and rubbed sand from their eyes. Their first sensations were relief at feeling the solid sand of the desert land under them. Then Bailey noticed something that brought them to their feet and checked Mrs. Bailey from bursting into the speech that she had ready.
"Where's the house?"
It was gone. There was no sign of it at all. They stood in the center of flat desolation, the landscape they had seen from the window. But, aside from the tortured, twisted trees there was nothing to be seen but the yellow sky and the luminary overhead, whose furnacelike glare was already almost insufferable.
Bailey looked slowly around, then turned to the architect.
"Well, Teal?" His voice was ominous.
Teal shrugged helplessly. "I wish I knew. I wish I could even be sure that we were on Earth."
"Well, we can't stand here. It's sure death if we do. Which direction?"
"Any, I guess. Let's keep a bearing on the sun."
· · · · ·
They had trudged on for an undetermined distance when Mrs. Bailey demanded a rest. They stopped. Teal said in an aside to Bailey, "Any ideas?"
"No … no, none. Say, do you hear anything?"
Teal listened. "Maybe—unless it's my imagination."
"Sounds like an automobile. Say, it is an automobile!"
They came to the highway in less than another hundred yards. The automobile, when it arrived, proved to be an elderly, puffing light truck, driven by a rancher. He crunched to a stop at their hail. "We're stranded. Can you help us out?"
"Sure. Pile in."
"Where are you headed?"
"Los Angeles."
"Los Angeles? Say, where is this place?"
"Well, you're right in the middle of the Joshua Tree National Forest."
· · · · ·
The return was as dispiriting as the Retreat from Moscow. Mr. and Mrs. Bailey sat up in front with the driver while Teal bumped along in the body of the truck, and tried to protect his head from the sun. Bailey subsidized the friendly rancher to detour to the tesseract house, not because they wanted to see it again, but in order to pick up their car.
At last the rancher turned the corner that brought them back to where they had started. But the house was no longer there.
There was not even the ground floor room. It had vanished. The Baileys, interested in spite of themselves, poked around the foundations with Teal.
"Got any answers for this one, Teal?" asked Bailey.
"It must be that on that last shock it simply fell through into another section of space. I can see now that I should have anchored it at the foundations."
"That's not all you should have done."
"Well, I don't see that there is anything to get down-hearted about. The house was insured, and we've learned an amazing lot. There are possibilities, man, possibilities! Why, right now I've got a great new revolutionary idea for a house—"
Teal ducked in time. He was always a man of action.
by Robert A. Heinlein
Some minutes later, when Mrs. Bailey had been resuscitated and somewhat composed, Bailey and Teal took stock. "Teal," said Bailey, "I won't waste any time blaming you; recriminations are useless and I'm sure you didn't plan for this to happen, but I suppose you realize we are in a pretty serious predicament. How are we going to get out of here? It looks now as if we would stay until we starve; every room leads into another room."
"Oh, it's not that bad. I got out once, you know."
"Yes, but you can't repeat it—you tried."
"Anyhow we haven't tried all the rooms. There's still the study."
"Oh, yes, the study. We went through there when we first came in, and didn't stop. Is it your idea that we might get out through its windows?"
"Don't get your hopes up. Mathematically, it ought to look into the four side rooms on this floor. Still we never opened the blinds; maybe we ought to look."
" 'Twon't do any harm anyhow. Dear, I think you had best just stay here and rest—"
"Be left alone in this horrible place? I should say not!" Mrs. Bailey was up off the couch where she had been recuperating even as she spoke.
They went upstairs. "This is the inside room, isn't it, Teal?" Bailey inquired as they passed through the master bedroom and climbed on up toward the study. "I mean it was the little cube in your diagram that was in the middle of the big cube, and completely surrounded."
"That's right," agreed Teal. "Well, let's have a look. I figure this window ought to give into the kitchen." He grasped the cords of Venetian blinds and pulled them.
It did not. Waves of vertigo shook them. Involuntarily they fell to the floor and grasped helplessly at the pattern on the rug to keep from falling. "Close it! Close it!" moaned Bailey.
Mastering in part a primitive atavistic fear, Teal worked his way back to the window and managed to release the screen. The window had lookeddown instead of out, down from a terrifying height.
Mrs. Bailey had fainted again.
Teal went back after more brandy while Bailey chafed her wrists. When she had recovered, Teal went cautiously to the window and raised the screen a crack. Bracing his knees, he studied the scene. He turned to Bailey. "Come look at this, Homer. See if you recognize it."
"You stay away from there, Homer Bailey!"
"Now, Matilda, I'll be careful." Bailey joined him and peered out.
"See up there? That's the Chrysler Building, sure as shooting. And there's the East River, and Brooklyn." They gazed straight down the sheer face of an enormously tall building. More than a thousand feet away a toy city, very much alive, was spread out before them. "As near as I can figure it out, we are looking down the side of the Empire State Building from a point just above its tower."
"I don't think so—it's too perfect. I think space is folded over through the fourth dimension here and we are looking past the fold."
"You mean we aren't really seeing it?"
"No, we're seeing it all right. I don't know what would happen if we climbed out this window, but I for one don't want to try. But what a view! Oh, boy, what a view! Let's try the other windows."
They approached the next window more cautiously, and it was well that they did, for it was even more disconcerting, more reason-shaking, than the one looking down the gasping height of the skyscraper. It was a simple seascape, open ocean and blue sky—but the ocean was where the sky should have been, and contrariwise. This time they were somewhat braced for it, but they both felt seasickness about to overcome them at the sight of waves rolling overhead; they lowered the blind quickly without giving Mrs. Bailey a chance to be disturbed by it.
Teal looked at the third window. "Game to try it, Homer?"
"Hrrumph—well, we won't be satisfied if we don't. Take it easy." Teal lifted the blind a few inches. He saw nothing, and raised it a little more—still nothing. Slowly he raised it until the window was fully exposed. They gazed out at—nothing.
Nothing, nothing at all. What color is nothing? Don't be silly! What shape is it? Shape is an attribute of something. It had neither depth nor form. It had not even blackness. It was nothing.
Bailey chewed at his cigar. "Teal, what do you make of that?"
Teal's insouciance was shaken for the first time. "I don't know, Homer, I don't rightly know—but I think that window ought to be walled up." He stared at the lowered blind for a moment. "I think maybe we looked at a place where space isn't.We looked around a fourth-dimensional corner and there wasn't anything there." He rubbed his eyes. "I've got a headache."
They waited for a while before tackling the fourth window. Like an unopened letter, it might not contain bad news. The doubt left hope. Finally the suspense stretched too thin and Bailey pulled the cord himself, in the face of his wife's protests.
It was not so bad. A landscape stretched away from them, right side up, and on such a level that the study appeared to be a ground floor room. But it was distinctly unfriendly.
A hot, hot sun beat down from lemon-colored sky. The flat ground seemed burned a sterile, bleached brown and incapable of supporting life. Life there was, strange stunted trees that lifted knotted, twisted arms to the sky. Little clumps of spiky leaves grew on the outer extremities of these misshapen growths.
"Heavenly day," breathed Bailey. "Where is that?"
Teal shook his head, his eyes troubled. "It beats me."
"It doesn't look like anything on Earth. It looks more like another planet—Mars, maybe."
"I wouldn't know. But, do you know, Homer, it might be worse than that, worse than another planet, I mean."
"Huh? What's that you say?"
"It might be clear out of space entirely. I'm not sure that that is our sun at all. It seems too bright."
Mrs. Bailey had somewhat timidly joined them and now gazed out at the outrĂ© scene. "Homer," she said in a subdued voice, "those hideous trees—they frighten me."
He patted her hand.
Teal fumbled with the window catch.
"What are you doing?" Bailey demanded.
"I thought if I stuck my head out the window I might be able to look around and tell a bit more."
"Well—all right," Bailey grudged, "but be careful."
"I will." He opened the window a crack and sniffed. "The air is all right, at least." He threw it open wide.
His attention was diverted before he could carry out his plan. An uneasy tremor, like the first intimation of nausea, shivered the entire building for a long second, and was gone.
"Earthquake!" They all said at once. Mrs. Bailey flung her arms around her husband's neck.
Teal gulped and recovered himself, saying:
"It's all right, Mrs. Bailey. This house is perfectly safe. You know you can expect settling tremors after a shock like last night." He had just settled his features into an expression of reassurance when the second shock came. This one was no mild shimmy but the real seasick roll.
In every Californian, native born or grafted, there is a deep-rooted primitive reflex. An earthquake fills him with soul-shaking claustrophobia which impels him blindly to get outdoors! Model Boy Scouts will push aged grandmothers aside to obey it. It is a matter of record that Teal and Bailey landed on top of Mrs. Bailey. Therefore, she must have jumped through the window first. The order of precedence cannot be attributed to chivalry; it must be assumed that she was in readier position to spring.
They pulled themselves together, collected their wits a little, and rubbed sand from their eyes. Their first sensations were relief at feeling the solid sand of the desert land under them. Then Bailey noticed something that brought them to their feet and checked Mrs. Bailey from bursting into the speech that she had ready.
"Where's the house?"
It was gone. There was no sign of it at all. They stood in the center of flat desolation, the landscape they had seen from the window. But, aside from the tortured, twisted trees there was nothing to be seen but the yellow sky and the luminary overhead, whose furnacelike glare was already almost insufferable.
Bailey looked slowly around, then turned to the architect.
"Well, Teal?" His voice was ominous.
Teal shrugged helplessly. "I wish I knew. I wish I could even be sure that we were on Earth."
"Well, we can't stand here. It's sure death if we do. Which direction?"
"Any, I guess. Let's keep a bearing on the sun."
· · · · ·
They had trudged on for an undetermined distance when Mrs. Bailey demanded a rest. They stopped. Teal said in an aside to Bailey, "Any ideas?"
"No … no, none. Say, do you hear anything?"
Teal listened. "Maybe—unless it's my imagination."
"Sounds like an automobile. Say, it is an automobile!"
They came to the highway in less than another hundred yards. The automobile, when it arrived, proved to be an elderly, puffing light truck, driven by a rancher. He crunched to a stop at their hail. "We're stranded. Can you help us out?"
"Sure. Pile in."
"Where are you headed?"
"Los Angeles."
"Los Angeles? Say, where is this place?"
"Well, you're right in the middle of the Joshua Tree National Forest."
· · · · ·
The return was as dispiriting as the Retreat from Moscow. Mr. and Mrs. Bailey sat up in front with the driver while Teal bumped along in the body of the truck, and tried to protect his head from the sun. Bailey subsidized the friendly rancher to detour to the tesseract house, not because they wanted to see it again, but in order to pick up their car.
At last the rancher turned the corner that brought them back to where they had started. But the house was no longer there.
There was not even the ground floor room. It had vanished. The Baileys, interested in spite of themselves, poked around the foundations with Teal.
"Got any answers for this one, Teal?" asked Bailey.
"It must be that on that last shock it simply fell through into another section of space. I can see now that I should have anchored it at the foundations."
"That's not all you should have done."
"Well, I don't see that there is anything to get down-hearted about. The house was insured, and we've learned an amazing lot. There are possibilities, man, possibilities! Why, right now I've got a great new revolutionary idea for a house—"
Teal ducked in time. He was always a man of action.
The End
*********************************************************************************************************************************************
As always, thank you to all who read this (we are fast approaching 750 views! 1,000 views is well in sight.). I will update soon enough with a more comprehensive explanation of what a tesseract/hypercube is (with pictures and animated photos). Keep a finger on the wire! This next post is bound to blow your mind! Hope everyone enjoyed the story.
--J
Tuesday, July 24, 2012
Insult to Injury (feat. Patrick Stewart!)
Okay, so I know that the title of this post might be a little misleading, but let me explain.
This and this annoy me (don't worry, they open in a new window and they're just articles). I could go on and on, listing site after site, article after article on the elusive and now-discovered particle, the Higgs Boson. Don't get me wrong, I am overjoyed that we have found evidence for the Higgs Boson. If it proves to be conclusive and we confirm it based on in-depth analysis of the data then I will dance around the streets and make myself look like an idiot to everyone except those that will feel the same way.
But whereas those two previous articles annoyed me, THIS aggravates me. Why? Let me sum up the article if you don't want to read it with the only important information that everyone immediately takes away from it.
1) The page title of the article. Here is a screenshot of the tab open on my computer at the moment:
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| "Higgs boson found". That's all anyone needs to read! |
It simply starts with "Higgs boson found: Scientist.....". That's the first thorn in my side. I'm going to avoid saying what the problem with this is until the end of my short list so that hopefully it makes a more significant impact on you.
2) The big bold audience-attracting title.
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| Awwwwwwww.....how nice....... |
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| They did? |
3) The very first line of the article.
"The search for the 'God particle' is over."
Uh, I wasn't aware of that. I mean, the current search for it is suspended until we analyze the data more, but as far as I know, the search isn't over.
4) The first remediate phrase.
"However, the teams, which included hundreds of Britons, stopped short of declaring it the Higgs boson, saying more work is needed to confirm its properties."
Finally! That's what I was looking for. Yet, it still bothers me. This is the end of the short list so I can finally bring to bear why this article in particular irks me, whereas the first two I mentioned only annoy me to a small degree.
It is one thing to claim the definitive existence of a newly-supported particle. It is one thing to then make clear the skepticism surrounding this potential new Higgs boson. It is quite another thing to acknowledge the skepticism surrounding the potential new Higgs boson and make it sound as if it is still discovered even though they outright acknowledge that they are still "confirm"ing the particle! Look, I understand that this is a breaking story and is worthy of being in the annals of history for all-time. Again, I am overjoyed at what we found. But let me clarify what we actually found if you don't want to go into the technical/scientific videos surrounding the newly discovered particle. When they attempt to find particles in particle accelerators, what they really do is smash a stream of particles against another stream of particles, and look through the "jets" of energy that come out of the collision to find trails of particles. These collision creates everything from antimatter, to supermassive particles, to miniature black holes (that then emit more particles and energy). From the jets and trails left in the specialized detectors they can find evidence of different particles. From the data they collect on these jets, scientists can determine an astounding number of factors, including electric charge, mass, speed, energy, etc. This data is then correlated to proposed energies of particles that are hypothesized by other scientists. The accuracy of the data found versus the proposed model is then checked by Standard Deviations. Typically a level of 4 to 6 "Sigma" (the greek letter notation for 1 standard deviation) implies that there is a high level of confidence that this is the Higgs boson that has been searched for. This particular finding had a confidence level of 5 sigma. This is amazing and leaves very little room for error.
But here is where I believe the media should have taken this with a grain of salt or at least clearly defined that this is not necessarily "THE" Higgs boson instead of "a" Higgs boson. The reason why I say it may not be "THE" Higgs boson is simply because there are bosons that have multiple different forms. For example, the W boson has two different types: the W+ and the W- boson, which respectively denote a positively-charged and a negatively-charged W boson. We also know that different bosons mediate different particle interactions. They each have different properties. So when certain popular media sources release stories instantly declaim that they've found the Higgs boson, the entire search is over, and everybody can go home and stop arguing about it, you might be able to understand that this gets to me. While there is a fairly reasonable chance that this is the one possible form of Higgs boson that we need to complete the Standard Model of particles, there is still the possibility that this is an exotic form of Higgs boson, or that it isn't in the correct state of energy (the article does point out the fact that scientists were cautious to the fact that it was slightly lighter than what they predicted it would be), or even that *gasp* maybe it's not the Higgs boson?! For all we know (until the scientific community at CERN confirms it), this could be an entirely new type of boson! Do you remember the huge fiasco over the neutrinos that supposedly traveled faster than the speed of light? If you do, do you remember what they found was the cause of the groundbreaking announcement? The team of scientists didn't plug a fiber-optic cable all the way in. The whole debacle resulted in the head scientist overseeing the project stepping down without comment. Further experiments in multiple other labs confirmed that neutrinos still travel at the speed of light. A majority of the embarrassment over the experiment's faulty results must have been highly amplified by the media's coverage of it. I'm not against the media at all. I'd be a hypocrite if I said so. But when major news outlets burst out of the gate with a possible upheaval of an 100-year-old proven theory, an excitement from a community larger than the close-knit international particle physics community builds tension in the air. It's a let-down for not only the scientific community but for the general community when such a possibly-momentous event is undercut by such a (frankly) silly error.
So I'm not saying go out and harass the general media. I'm not trying to in this post. What I am saying, though, is take this with a grain of salt. The "definitive" headlines that some are proposing out there are not necessarily true. Appreciate it when an article acknowledges the skepticism and the room for other possibilities that should be there.
Alright, so let me hopefully clear up any preliminary questions about the Higgs boson. The importance of the Higgs boson is two-fold. All elementary particles at the moment fall under different classifications within something called the Standard Model. While it truly is a boring name, it really is integral to picking apart our universe down to the smallest observable objects. In this case it is what we call Elementary Particles.
Ignore the fact that it says the Higgs boson is yet to be confirmed. Actually, don't. Keep it in mind (as per above). But this is the Standard Model. It contains a classification of every known/observed smallest particle. So if you're wondering why a proton or neutron is not on this chart, it is because they are made up of quarks (u, d, c, s, t, b). A proton has a quark structure of uud (or two up quarks and one down quark). A neutron has the quark structure of udd (or one up quark and two down quarks). Every piece of matter that we know about consists of some combination of Elementary Particles from the Standard Model. So why is the Higgs boson left out of this perfect little box? Easy. Everything has mass, correct? Or, at least, everything that doesn't travel at the speed of light (i.e. neutrinos and photons) has mass, right? Right. Well, what is mass? Many would define it as the weight of a collection of atoms. This is the simplest way to put it, but it is not entirely correct. Weight is relative. Something weighs more in the presence of higher gravity. So let's get a little better definition. Mass is the density of a particle or collection of atoms in a "space". It doesn't "weigh" anything unless in a gravitational field. But it has some sort of density to it. This is much closer and generally, before the potential discovery of the Higgs boson, was the relatively precise way to define mass. However, if the Higgs boson is confirmed, it changes the whole definition. Why? Because when we throw around the term "density" that means that something has to be dense, or else it doesn't make sense! So the Higgs boson, as a force carrier, interacts with other particles in the "Higgs field". This interaction is supposedly what causes mass. If the Higgs boson is confirmed by these results (and not just "a" Higgs boson, remember?), then we have completed the standard model. We can explain all of the particles and interactions simply through this table (plus a slew of other complex equations of course). I am leaving out gravity specifically because as far as we know that could be an entirely new realm of physics, or it could be the density of Higgs boson interactions within the field somehow attracts other Higgs interactions or increases the likelihood of other Higgs interactions the closer particles get to the "Higgs-dense" object. Just an idea, I actually don't really know what I'm proposing...
So what does the Higgs boson mean for the universe in general? Well one important thing about the Higgs boson is that it is indiscriminating when it interacts with matter. Which for our purposes really doesn't mean much, but there are two things in the universe that concern the scientific community that we have not directly observed, and those are dark energy and dark matter. Dark matter is really important because it makes up such a large percentage of our universe! It really is an important focus issue for the scientific community simply because of the fact that 1) We cannot see or observe it directly as far as we know, and 2) The Higgs boson would be the particle that would interact with both "normal" matter (the matter that we are composed of and that we see everyday) and dark matter. As the first article puts it,
"It's like a city with two populations, each speaking a different language, and no translators or bilingual interpreters. The two groups of people go about their separate lives, never directly speaking with each other. Likewise, in our galaxy, dark matter and ordinary matter pass right through each other all the time.
The Higgs boson could be the bilingual particle we've been looking for."
So while this is an exciting and possibly ground-breaking discovery I will leave you with two thoughts. One is presented by the internet's nitpicking, trolling, flaming, and non-sequitur population that we all know and love (this just goes to show how much people that spend way too much time on the internet appear to pay attention, but really are just skimming):
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| (Note: This is more just because it's Patrick Stewart) |
--J
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| Can I have one? |
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